Friday, August 13, 2010

Society's Implicit War: Foucault's "Discipline & Punish" and Military History - Chapter IV

Well here is chapter 4 of my essays. It is called:
4. From The Spectacle of Torture to The Constant Observation of the Panopticon as Moving From Low-level to High-level Simulational Mindreading

Here is a table of contents for it:

Introducing Distinct Types of Simulational Mindreading
a. Goldman’s Distinction Between Low- and High-Level Simulational Mindreading

The Evolution of Penal Mindreading
b. Observation of Torture as Mirror and Resonance Based Mindreading
c. The Panopticon as Enabling Abstract and High-Level Mindreading
d. Panoptic Knowledge and the Possibility of Pure Theory-Theory Mindreading

Disciplinary Power’s Coercive High-Level Mindreading
e. Panoptic Mindreading for Prisoners and Civilians: Structuring Incarceration and its Representation
f. Observation and Controlling Prisoners Through High-Level Mindreading
1. Knowledge of Criminal’s Minds
2. Knowledge and the Control of Bodies
3 Knowledge, Control, and Practices of the Self
g. The Abstraction of Surveillance and Controlling the Population With High-Level Mindreading
1. The Representation of Crime and Punishment
2. The Reality of Discipline
3. Normalization and Control
4. Control Through the Representation of Minds as Implicit War
h. Pure Theory-Theory Mindreading as Structuring A Priori Thought
i.
The Prison of Our Minds
j. Concluding Chapter 4 and Part II

4. From The Spectacle of Torture to The Constant Observation of the Panopticon as From Low-level to High-level Mindreading
Now that I have made my general claims about the relationship between Foucault’s notion of power/knowledge and simulation theory of mind(in chapter III), I would like to add some nuance to this connection. I want to do this by drawing more explicitly on Alvin Goldman’s work. In particular, I find his distinction between ‘low-level’ and ‘high-level’ simulational mindreading to be very helpful in describing the transition from torture to discipline. So explicating Goldman’s distinction will be my first task in this chapter. Almost all of the italics in the quotations are mine.

Goldman’s Distinction Between Low- and High-Level Simulational Mindreading
In Simulating Minds: The Philosophy, Psychology, and Neuroscience of Mindreading Alvin Goldman presents a compelling defense of simulation theory of mind. His main concern is to prove that people attribute mental states to other people (mindread) primarily by internally simulating other people’s thoughts. Apart from simulation we can draw on tacit psychological theories to make inferences about he behavior of others. Theorizing about thoughts in this fashion, however, is secondary to the simulation of other people’s thoughts. In short, we mindread primarily by empathizing with people (either in simple or complex forms), and this process of empathy can be supported or augmented by unconscious theorizing about people.

Within the realm of simulation Goldman makes a distinction between low-level and high-level simulational mindreading. Low-level mindreading is facilitated primarily by mirror neurons, a class of neurons that are activated both when we perform an action and witness that action being performed. This especially applies to facial expressions. So when we witness a movement or facial expression our brain internally simulates the muscle movement required to make that movement. In the case of facial expressions, our brain actually reverses the relationship between emotions and facial expressions. Typically, our limbic system produces an emotion and then communicates to our face what muscles to activate for the corresponding expression. When we witness a facial expression, however, our brain first mirrors the necessary facial muscles, and then causes us to feel the emotion that is associated with that expression. Our brain thus mirrors and resonates with the actions and the feelings that we see in the world around us. Empathy is therefore a process that is directly facilitated by mirror neurons. it is immediate, effortless, and most importantly simulative in nature. We cannot understand facial expressions unless we internally simulate and feel those facial expressions and emotions for ourselves. Low-level mindreading, therefore, is the most basic form of empathy and simulation possible. I am discussing this only because in the next section I will discuss how observation of torture would rely very heavily on this low-level mindreading.

High-level mindreading, on the other hand, goes beyond the mirroring and resonance of low-level mindreading by drawing on more abstract, deliberate, and imaginative forms of thought. In particular, Goldman believes that high-level mindreading utilizes what he calls the Enactment-imagination (E-imagination). E-imagination is defined by the neurological overlap between an experience and the imagination of that experience. When we imagine moving our finger, for example, our brain draws on the motor neurons that would be involved in performing that action. That is why experiments consistently show that the imagination of an action and the performance of an action take about the same time. Chris Frith and others have confirmed this for me. Another example of E-imagination would be that when we read a novel about a person experiencing pain or touch, we often experience those feelings for ourselves, and the neurological activity confirms this. Probably the most important thing about the E-imagination, however, is that it is accessible to consciousness and can involve more abstract concepts. So when we try to imagine someone’s experience losing property, or experiencing an identity crisis that hinges on modern abstract conceptions, we are using the E-imagination. Because these forms of thought go beyond basic empathy, in that they utilize socially constructed concepts, the functioning of mirror neurons can’t account for this complex form of empathy. High-level mindreading, therefore, is a form of empathy that uses the E-imagination to simulate more abstract and complex thoughts that typically involve socially constructed concepts. Furthermore, because these processes are accessible to consciousness there is greater pedagogical potential when it comes to high-level mindreading. This is why I believe that the move from torture to panopticism, with its reliance on abstract forms of power/knowledge, must be facilitated primarily by changes in high-level mindreading.

Tacit mental theorizing is the final type of mindreading that I will be discussing in relation to the transition from torture to discipline. While Goldman believes that tacit psychological theory is used mainly to support or initiate simulations, I have recently been entertaining the idea of pure theory-theory mindreading that would bypass any type of simulation. In other words, it would be possible to attribute a mental state to somebody simply by unconsciously drawing a theoretical inference. If we saw someone driving poorly, for example, we may simply infer that they were not paying attention and would therefore bypass any sort of simulation. I find this a very frightening idea and I think it should be avoided. I think that if we simply theorize about people we lose our sense of empathy and would lead us to make over generalized and harsh judgments about people. Like my driving example, people make driving for all kinds of reasons, life problems, pain, distractions, etc.. But I think too often people take the easy way out and simply make the inference about laziness or stupidity. I want to write about pure theory-theory mindreading because I fear that this is becoming a commonplace phenomenon. With the rise of the elaborate forms of power/knowledge described by Foucault I fear that it has become very easy for people to bypass empathy and simulation in favor of unconscious inferences. Our contemporary culture is so saturated with knowledge about people and their behavior that it is far too easy to attribute mental states to people without attempting to simulate their thoughts and circumstances. I have been dwelling on this rise in pure theory-theory mindreading more and more. And, unfortunately, the more I think about it, the more it seems like we are in an era in which theory-theory mindreading is overriding the tendency for empathy. In any case, I’ll explore this in relation to Foucault and the rise of disciplinary society.

In any case, these are the more specific forms of simulational mindreading that I want to explore in this section. I want to demonstrate the observation of torture would mainly use mirror neurons and direct empathy and therefore falls within the realm of low-level mindreading. I then want to show that the rise of panopticism would encourage individuals to engage in more abstract and socially constructed forms of mindreading and is therefore under the umbrella of high-level mindreading. Finally, I want to discuss how the advent and proliferation of elaborate forms of power/knowledge would encourage individuals to engage in pure theory-theory mindreading that may bypass empathy and simulational mindreading.

So first I’ll have a section called ‘The Evolution of Penal Mindreading’ where I’ll discuss torture and low-level mindreading, disciplinary society and high-level mindreading, and disciplinary society and pure theory-theory mindreading. Then I’ll have a section called ‘Disciplinary Power and Mindreading’ where I’ll hone in more closely on the way that mindreading functions in carceral society. In that section I’ll discuss how panopticism works to control both prisoners and civilians, and how pure theory-theory may be the apex of controlling the way individuals mindread. That is to say that disciplinary power may achieve its greatest victory by indoctrinating individuals with tacit psychological theories that govern the way they relate to one another.

The Evolution of Penal Mindreading
As I said, in this section I simply want to demonstrate that the transition from torture to prison should be thought of as an evolution of how individuals are socially instructed to mindread. In the age of torture individuals engaged primarily in low-level mindreading. With the advent of panopticism I believe that individuals were encouraged to engage more regularly in high-level mindreading, and eventually, in pure theory-theory mindreading. Onward.

Observation of Torture as Mirror and Resonance Based, Low-Level Mindreading
So how is it that torture functions primarily as low-level mindreading? Well because torture existed before the age of computers, individuals mostly engaged with one another on the face to face level. It is only in this face to face level that mirror neurons can function. So the observation of torture likely functioned through the use of mirror neurons. To watch an executioner rip a person’s body apart, and to hear that person scream in agony, almost certainly functioned via mirror neurons. It is not abstract. It is very real and very immediate. This direct observation of bodies and movements can only be an example of low-level simulational mindreading.

I used this quotation in chapter three, so forgive my repetition, but I think when Foucault hints that the crowd plays an active role in bring the experience of the criminal to life. He says that torture causes power to function within the crowd because they “must be the witnesses, the guarantors, of the punishment, and because they must to a certain extent take part in it" (58). They take part in it because they are engaging in low-level simulational mindreading to understand the experience they are observing.

I would also say, however, that torture also utilized certain elements of high-level mindreading. This is not a clear division between low- and high-level mindreading. I am simply claiming that torture used far more mirror neurons than disciplinary practices. Indeed, torture still involved a certain amount of representation and abstraction. Torture, Foucault argued, was "intended to apply the law not so much to the real body capable of feeling pain as to a juridical subject, the possessor, among other rights, of the right to exist. It had to have the abstraction of the law itself" (13). So torture is indeed a blending of low- and high-level mindreading. The important thing for me, however, is that disciplinary society’s move to panopticism removes this element of low-level mindreading. In the transition to panopticism mirror neurons are no longer as important, and thus abstract, high-level mindreading becomes paramount. Let me explain this drastic move towards high-level mindreading.

Panopticism as Enabling Abstract and High-Level Mindreading
Now as I said above, and in chapter two and three, torture caused power to function not because the criminal is being tortured, but because the audience is made aware of why the criminal is being tortured. It functions primarily as a representation. With the advent of prisons and disciplinary society, however, the element of representation becomes even more powerful.

This is the key to the transition from low- to high-level mindreading. People no longer even need to directly see the punishment, they simply need to experience its representation. Given what I said earlier about high-level mindreading and the E-imagination, I am comfortable making this claim about the transition from low- to high-level mindreading. Indeed, Foucault stresses the increase in the representative character of penal practices: "The penalty must have its most intense effects on those who have not committed the crime; to carry the argument to the limit, if one could be sure that the criminal could not repeat the crime, it would be enough to make others believe that he had been punished" (95). It is no longer the direct observation of torture that forces the crowd to internalize the lessons of penality. It is now an elaborate social representation that cannot be directly observed. It has to be abstractly imagined. Observation of judicial punishment is no longer direct, low-level mindreading, it is now abstract, high-level mindreading.

Indeed, Foucault explains how the representation of punishment ceases to function at one particular point in time and space. With torture, the spectacle had to be potent because it was sporadic in its presentation. It really had to make a mark because it only happened every now and then. But with the advent of disciplinary society and complex forms of power/knowledge, judicial punishment is now constantly represented within society. Or, as Foucault says, "the punishments must be a school rather than a festival; an ever-open book rather than a ceremony" (111). It is therefore impossible for individuals to escape this field of signs. People are constantly reminded of the fact that the government can declare war on them whenever they want. Here Foucault argues that representation circulates in society at large: "representations, or rather couplings of ideas (crime-punishment, the imagined advantage of crime-disadvantage perceived in punishments); these pairings could function only in the element of publicity: punitive scenes that established them or reinforced them in the eyes of all, a discourse that circulated, brought back into currency at each moment a complex of signs" (128). People are constantly using high-level mindreading to know that there are certain individuals who are dominated by penal institutions (criminals), and certain individuals willing to enforce those penal practices (the government).

Foucault even describes this massive representation of criminal justice as fictitious. This merely highlights the fact that people don’t even need to have experience with criminality, they simply need to experience its representation. "But the essential point,...” he argues” is that they should all, according to a strict economy, teach a lesson: that each punishment should be a fable.... Around each of these moral 'representations', schoolchildren will gather with their masters and adults will learn what lessons to teach their offspring" (113). These representations permeate society at every level, they interact with each of the disciplinary institutions. And interestingly, Foucault’s description of representation as a ‘fable’ gives me an opportunity to specify more clearly the connection to Goldman’s high-level mindreading. One of Goldman’s interests is how the high-level mindreading and the E-imagination are involved in the reading of fiction. Numerous experiments show that when individuals read fiction they draw on their experience and use the E-imagination to simulate the thoughts and feelings of other people. To describe penal representation as a fable or a fiction, therefore, makes the parallel to high-level mindreading quite obvious.

The most fascinating thing about this fiction, however, is that actual behavior is influenced by this plethora of representation. Or as Foucault says, "A real subjection is born mechanically from a fictitious relation" (202). Even though most people have no experience with criminal justice or incarceration, they are controlled simply by the imagined consequences of breaking the law. This control is brought about by having individuals imagine themselves as being watched. When Naturally, Foucault believes that the single gaze, the all-seeing eye, is the most important thing in panopticism: "The perfect disciplinary apparatus would make it possible for a single gaze to see everything constantly. A central point would be both the source of light illuminating everything, and a locus of convergence for everything that must be known: a perfect eye that nothing would escape and a centre towards which all gazes would be turned" (173). But here I just want to stress that in most of society there is no actual single point of observation, there is only the individual who is simulating the gaze of an authoritative observer. This connection to high-level mindreading and the E-imagination is so clear to me. When people imagine themselves as being watched they are actually creating the same effects of actually being watched.

Once society has been saturated with these representations of penal reality, high-level mindreading, and the E-imagination, can take over and begin to work through the minds of each individual. It is no longer necessary for every single person to be watched, because their E-imaginings of their own observation is enough to keep them in line. Finally, the panoptical dream that "no crime committed must escape the gaze of those whose task it is to dispense justice" (96)., can be achieved without constant observation. It doesn’t matter if everyone cannot actually be watched, because the representation of discipline and the panopticon forces every single person to be their own observer. Every individual begins to E-imagine that they are being watched, and they thus regulate themselves.

The ways that disciplinary society and panopticon enable high-level mindreading are therefore glaringly clear to me. Individuals no longer directly witness the implementation of punishment. They now experience it purely as a representation of the criminal’s mind and the government’s will. Because the minds of criminals and the government are now so abstracted, only high-level mindreading can account for the public’s knowledge of those minds. Furthermore, because Foucault directly compares the representation of criminality to a fiction, it is incredibly easy to see the relevance of the E-imagination. Lastly, because these represented accounts of punishment force individuals work on themselves, we have to ask the question of how. And the answer is that each individual is now capable of E-imagining themselves as being watched. With this knowledge of their observability each individual is able to E-imagine themselves into behaving differently. Because everyone has the potential of being observed, and everyone knows of their observability, each individual is able to high-level mindread the thoughts of a potential observer, and thus use their E-imaginings of this authoritative gaze to regulate their own behavior.

Panoptic Power/Knowledge and the Possibility of Pure Theory-Theory Mindreading
This high level of abstraction, however, may not simply enable new and complex forms of high-level simulational mindreading. It may actually allow individuals to bypass the process of simulation altogether. I was initially skeptical of this idea because I was exploring simulation theory of mind and found it very compelling. But after some reflection and some writing on this I know believe that theory-theory mindreading might be possible. It is quite possible that at some point society may have reached a critical mass of sorts in which there was enough articulated understanding of people that allowed us to bypass simulations. Once we have been told that people of this race do this, people of this class do this, people of this gender do this, people of this age do that, and so on, we no longer need to simulate other people’s thoughts. We simply need to draw on our stock of preformed judgments about groups of people in order to make mental attributions. I don’t necessarily even know that this deserves the term mindreading because it takes no process other than inference. It takes no empathy to apply the proper generalizations to people. But I believe that this may be happening to us right now.

Indeed, some of Foucault’s writing in DnP makes me think that the rise of elaborate forms of knowledge would essentially be the construction of elaborate theoretical knowledge about people. This theoretical knowledge about people and bodies could then be absorbed into the unconscious thought processes of whole populations. If, as Foucault says, representation of bodies breaks free from reality and is able to replicate itself as pure representation, then I think that it would be easy for these notions to infiltrate minds this deeply. Thus when Foucault talks about how disciplinary surveillance produced a new describability, I think he is talking about the development of theoretical knowledge that is then internalized and becomes a tacit psychological theory. He explains that this new describability was "all the more marked in that the disciplinary framework is a strict one: the child, the patient, the madman, the prisoner, were to become, with increasing ease from the eighteenth century and according to a curve which is that of the mechanisms of discipline, the object of individual descriptions and biographical accounts. This turning of real lives into writing is no longer a procedure of heroization; it functions as a procedure of objectification and subjection" (192). Suddenly there is a robust theoretical knowledge that people can draw on, and I believe that this makes us totally dependent on our tacit theories, and causes us to bypass processes of empathy and simulation.

This is a very bad thing. This is a very insensitive and overgeneralized way to deal with people. It doesn’t even deserve the label of mindreading. It is a culturally instilled laziness that lets us engage with people with very little effort. It has dulled our sense of empathy, and most importantly, creative empathy. We need to learn to forgive people, and we can only do this by realizing that life is unique, that people’s circumstances are different and can compel them to do many things. I am almost certain that Foucault’s notion of the ‘historical a priori’ is essentially the body of tacit theories that a population is able to work with. Furthermore, I think that Foucault’s work is essentially about using historical methods to expose and modify the tacit psychological theories that we are able to work with in our given historical moment. I believe that the pragmatics of Foucault’s work comes back to this idea that we need to overcome the historical determinants of our thought, and that tacit mental theory, socially constructed knowledge that has entered our unconscious, is the level at which we have to overcome the limits and determinants of our thought. I’ll delve into this more explicitly in the final two chapters of this project.

But for now I have established a few things. I have told you that torture, with its intense face to face interaction, must have relied primarily on low-level mindreading, but that the elements of representation introduced a small amount of high-level mindreading. I argued That the transition to discipline was primarily about freeing representation from the confines of face to face interaction, and thus that disciplinary society is essentially one in which high-level mindreading dominates low-level mindreading. Furthermore, that Foucault’s claims about the fictitious nature of disciplinary knowledge solidified the connection to Goldman’s work on the E-imagination and thus confirms that disciplinary society possesses a culture in which high-level mindreading is dominant. Lastly, I explored the idea that disciplinary society’s elaborate knowledge has enabled pure theory-theory mindreading in which we are able to bypass simulational mindreading. Our knowledge-saturated society makes it so that we can attribute mental states to other people simply by making unconscious inferences based on race, class, gender, sexuality, and other factors. And that I detest this and see it as something to be overcome. In short, that the transition from torture to discipline is about a growth in knowledge about bodies that allows us to engage in more and more abstract and depersonalized thought about other minds. And that this is the pragmatics of these essays, to make some suggestions about how to overcome our knowledge saturated and insensitive social situation.

My task for the next section of this chapter is to explain how it is that disciplinary society’s forms of high-level mindreading enable control of both criminals and the civilian population.

Disciplinary Power’s Coercive High-Level Mindreading
So now I’ll explain in depth how it is that disciplinary society utilizes forms of high-level mindreading in order to control individuals. In the last section I clearly established that the abstract nature of disciplinary society’s knowledge encourages high-level mindreading. Now I’ll explain how this allows power to function and control the behavior of people.

Panoptic Mindreading for Prisoners and Civilians: Making-Up People by Structuring Incarceration and Its Representation
The most interesting thing about this whole business is that high-level mindreading functions on several different levels. First, it works on two separate groups of individuals in two different ways. It controls prisoners through direct control of their bodies, and through observation and the construction of knowledge that forces an identity on them. It simultaneously controls the general population through the representation of criminality and social identity. Panoptic society, therefore, controls prisoners by structuring their incarceration, and controls the population by controlling its representation. In both instances panopticism ‘makes-up’ people by producing elaborate forms of knowledge that people eventually come to identify with. By producing this knowledge about identity disciplinary society effectively forces people to identify with ways of thinking that are state constructed.

Foucault is quite explicit that this is a process of making-up people. "Discipline 'makes' individuals; it is the specific technique of power that regards individuals both as objects and as instruments of its exercise. It is not a triumphant power, which because it its own excess can provide itself on its omnipotence; it is a modest, suspicious power, which functions as a calculated, but permanent economy" (170). Disciplinary power functions by making identities that dominate people. By producing knowledge that subjects people.

Foucault discusses how the control of prisoners through the dual process of direct control and knowledge building through observation: "The carceral texture of society assures both the real capture of the body and its perpetual observation.... Its panoptic functioning enables it to play this double role" (305). In this quotation, however, Foucault says that this is not only the structure of prisons, but it is the ‘texture of society’ as a whole. Prions are actually able to create a totalizing social climate that forces individuals to conceptualize themselves in certain ways. Indeed, it functions deeply in the mind, what Foucault refers to as the level of the imagination: "The carceral city, with its imaginary 'geo-politics', is governed by quite different principles." It is this imaginary and representative nature of incarceration that must be utilized: "What must be maximized is the representation of the penalty, not its corporal reality" (95). It is thus this elaborate process of controlling the bodies of prisoners, building knowledge about them, and dispersing its representation into the population that controls the population through high-level mindreading. Disciplinary power works by producing evidence that allows individuals to simulate these types of thought that allow people to regulate themselves.

The goal of carceral practice and its representation is to make bodies controllable, to make individuals so aware of the possibility of observation and incarceration that their behavior can be manipulated. Foucault claims that all of the disciplinary institutions come together to disperse this coercive knowledge throughout society. This is how we can account for the generality of the notion of panopticism. While it was originally conceptualized, by Bentham and others, as an architectural design, it is in reality the structure of society as a whole. Foucault could not be more explicit about this: "The Panopticon,... must be understood as a generalizable model of functioning; a way of defining power relations in terms of the everyday life of men" (205). All of the disciplinary practices come together to create a panoptic society in which individuals are always capable of imagining themselves as being watched. "Thus,” Foucault argues, “discipline produces subjected and practised bodies, 'docile bodies'" (138). Again: "The generality of punitive function that the eighteenth century sought in the 'ideological' technique of representations and signs,” Foucault claims, “now had as its support the extension, the material framework, complex, dispersed, but coherent, of the various carceral mechanisms" (299). If anyone wants to think of the panopticon as merely a tower, simply a building, than this is a gross simplification of Foucault’s arguments. All of society is now panoptical, every individual is controlled by this network of institutions that constantly threaten to observe, classify, and control people.

I believe that this control through observation that allows the panopticon to control people works only because it provides evidence that allows people to simulate other thoughts. Torture didn't provide this type of simulative evidence: "By this very fact, the external power may throw off its physical weight; it tends to the non-corporal; and, the more it approaches this limit, the more constant, profound and permanent are its effects: it is a perpetual victory that avoids any physical confrontation which is always decided in advance" (203). Bodies no longer need to mutilated because knowledge has achieved a new density and ubiquity. People can now be controlled simply through the power of judicial ideas.

Before I handle the control of prisoners and civilians respectively, I would like to reinforce this idea that what is happening is that people are being produced. Subjects, in their identity and their behavior, are being crafted by disciplinary society’s knowledge. Power is positive in its effects, it produces, it makes-up people. It does not discover the essential nature of people, it creates them. Did crime and delinquency exist before they were codified? Foucault believes no. People engaged in an undefined behavior, and that behavior was then articulated, and only then could people become those things. Only until something like criminality is articulated can someone constitute their identity with those terms. "We must cease once and for all,” Foucault says, “to describe the effects of power in negative terms: it 'excludes', it 'represses', it 'censors', it 'abstracts', it 'masks' it 'conceals'. In fact, power produces; it produces reality; it produces domains of objects and rituals of truth. The individual and the knowledge that may be gained of him belong to this production" (194). Individual natures and categories are not discovered, they are created by power/knowledge. Foucault believes that the penal institutions actually perpetuate the production of criminals: "Although it is true that prison punishes delinquency, delinquency is for the most part produced in and by an incarceration which, ultimately, prison perpetuates in its turn. The prison is merely the natural consequence, no more than a higher degree, of that hierarchy laid down by step by step. The delinquent is an institutional product" (301). Criminals are not essential beings, they are created by institutional networks. Indeed, Foucault seems to think that ‘individuals’ as we know them only exist within relationships of domination: "In short, one should have a master, be caught up and situated within a hierarchy; one exists only when fixed in definite relations of domination" (291).
I’ll now turn to prisoners and civilians in turn, and explain more precisely how control is achieved by this making-up of subjects.

Observation and Controlling Prisoners Through High-Level Mindreading
Above I sloppily explained how it is that high-level mindreading functions to control individuals by ‘making them up’. Disciplinary society creates elaborate bodies of knowledge that allow people to imagine themselves and others as being certain ways. Because people’s identities are formed by these forms of power/knowledge, and their behavior corresponds with these identities, people’s behavior is thus controlled by these forms of power/knowledge. So I’ll do this in three parts. I’ll talk about how prison systems managed to create elaborate forms of knowledge about criminals. Then I’ll talk about how this knowledge was used to control the bodies of prisoners. Then I’ll talk about how this knowledge forced prisoners to work on themselves, how it enabled certain practices of the self.

Knowledge of Criminal’s Minds
This control through the production of knowledge and identity is very noticeable with criminals. Punishment often treats criminals as if it is in their essential nature to commit crimes. So, much of penal knowledge was about creating this so called criminal ‘nature’. Foucault believes that "since punishment must prevent a repetition of the offence, it must take into account the profound nature of the criminal himself, the presumable degree of his wickedness, the intrinsic quality of his will" (98). Not that these people actually have discovered people’s ‘nature’, but that this is the level at which prisons talk about criminals. They speak as if they are discovering and modifying the essential nature of a persons being. And by speaking this way, of essential natures, disciplinary power is controlling the conceptual tool kit that people have to conceptualize themselves. As Foucault says "One must calculate a penalty in terms not of the crime, but of its possible repetition. One must take into account not the past offence, but the future disorder" (93). This is why the mind of the criminal, and its possible behavior in the future is so important.

Foucault believes that this disciplinary power is exercised, as I have discussed, through observation and articulation. Further, that this process of observation culminates in the examination. "The examination,” Foucault believes, “surrounded by all its documentary techniques, makes each individual a 'case': a case which at one and the same time constitutes an object for a branch of knowledge ad a hold for a branch of power" (191). Creating knowledge about an individual simultaneously creates a place for knowledge, and ensures that knowledge will cause power to function within that persons minds. And the examination was the culmination of this knowledge.

All of this is meant to achieve control through the active transformation of criminals. It is not simply to discover the nature of the criminal, but to discover his nature so as to modify and correct his behavior. "One sees the emergence at the same time of the need for a parallel classification of crimes and punishments, the need for an individualization of sentences, in accordance with the particular characteristics of each criminal" (99). Each individual is treated as a special case to be discovered and modified. This is because prisons operated on what Foucault calls 'the principle of correction'. Meaning, "Penal detention must have as its essential function the transformation of the individual's behavior" (269). Observation and classification are the primary means by which people are ‘discovered’ and then transformed.

The relationship between observation, articulation of ‘nature’ and control is very explicit with Foucault. People cannot be corrected unless they are properly ‘made-up’. People cannot be modified unless there is a body of knowledge that can articulate a persons nature. Foucault claims that "what was now beginning to emerge was a modulation that referred to the defendant himself, to his nature, to his way of life and his attitude of mind, to his past, to the 'quality' and not the intention of his will" (99). And this is the perfect task for disciplinary society. All of the disciplinary institutions showed a concern for how individuals developed over time, and how their essential nature developed: "The disciplinary techniques reveal individual series: the discovery of an evolution in terms of 'genesis'. These two great 'discoveries' of the eighteenth century – the progress of societies and the geneses of individuals – were perhaps correlative with the new techniques of power, and more specifically, with a new way of administering time and making it useful, by segmentation, seriation, synthesis and totalization." (160). This is about tracing and articulating the process of people lives, their personal history, and thus it changes them, it gives them ways to conceptualize their own experience. Criminals are made to believe that they are certain ways, and they are thus controlled by disciplinary knowledge.

It is this intense desire for knowledge about the nature of criminals that leads to the birth of criminology as a discipline. Foucault believes that a desire for scientific knowledge about people, and criminals, led to its development. "The task of this new knowledge is to define the act scientifically' qua offence and above all the individual qua delinquent. Criminology is thus made possible" (254). Not until people desired elaborate knowledge about bodies was this possible. And not until this elaborate knowledge is built can power have a sufficient grip on the minds of criminals. Control and knowledge are inseparable because the criminals must be made to believe that they are being handled scientifically. Maybe? "A whole corpus of individualizing knowledge was being organized that took as its field of reference not so much the crime committed..., but the potentiality of danger that lies hidden in an individual and which is manifested in his observed everyday conduct. The prison functions in this as an apparatus of knowledge" (126). This knowledge must always refer to the basic nature of the individual. Foucault believes that "an attempt was also being made to constitute a new objectivity in which the criminal belongs to a typology that is both natural and deviant" (253). Criminals are now being pegged as essential, natural, they just are that way.

Penal knowledge was meant to create a homogenous and unified body of understanding about criminality. Each criminal has to understand that his essential nature is shared by others. That criminality is a genuine nature and way of being. The point being that this is not 'nature', but rather a product: "That one should find in them what one might call the index of an irrepressibly delinquent 'character': the prisoner condemned to hard labour was meticulously produced by a childhood spent in reformatory, according to the lines of force of the generalized carceral system" (301). Indeed, disciplinary power spoke in terms of life course and development: Circumstantial evidence as "something quite different, which is not juridically codifiable: the knowledge of the criminal, one's estimation of him, what is known about the relations between him, his past and his crime, and what might be expected of him in the future" (18) There is much more elaborate knowledge about criminals in the age of prisons.

Knowledge and the Control of Bodies
Once this elaborate has been constructed the prison system can begin to closely regulate bodies. This knowledge gave rise to "a compact functioning of the power to punish: a meticulous assumption of responsibility for the body and the time of the convict, a regulation of his movements and behaviour by a system of authority and knowledge; a concerted orthopaedy applied to convicts in order to reclaim them individually; an autonomous administration of this power that is isolated both from the social body and from the judicial power in the strict sense" (130). By producing knowledge about their bodies prisons are able to exercise direct control over their bodies. They are able to closely regulate their movement and development. "Hence,” Foucault claims, “the major effect of the Panopticon: to induce in the inmate a state of conscious and permanent visibility that assures that functioning of power" (201). Through constant observation the production of knowledge and the criminal’s internalization of that knowledge are achieved.

Again, this transformation is achieved through classification: "Convicts must be isolated or at least distributed according to the penal gravity of their act, but above all according to age, mental attitude, the technique of correct to be used, the stages of their transformation" (269). It is the elaborate body of knowledge that allows individuals to be segregated in this way. I mentioned above that each individual became a case. Similarly, each criminal is given a legal biography of sorts that allows him to be controlled. Like never before prisoners gain biographies: "The introduction of the 'biographical is important in the history of penality. Because it establishes the 'criminal' as existing before the crime and even outside of it" (252). This allows them to claim that they must be incarcerated because it is in their nature.

Foucault actually describes this transformation of individuals as the transformation of ‘souls’. I find this terms unclear, and I think it is something closer to the unconscious, something closer to the a priori levels of thought, which I’ll explore. But I think this quotation demonstrates how deeply these punishments are meant to penetrate minds: "They are processes that effect a transformation of the individuals as a whole – of his body and of his habits by the daily work that he is forced to perform, of his mind and his will by the spiritual attentions that are paid to him.... But this transformation is entrusted to the administration itself. Solitude and self-examination are not enough; nor are purely religious exhortations. Work on the prisoner's soul must be carried out as often as possible. The prison, through an administrative apparatus, will at the same time be a machine for altering minds" (125). They structure incarceration in elaborate ways so as to produce knowledge, use that knowledge to further structure the lives of prisoners, and to convince the criminals of this knowledge’s truth. It must penetrate the level of the desires: "The penalty that forms stable and easily legible signs must also recompose the economy of interest and the dynamics of passions" (107). Basic interests and desires must be controlled. Foucault nicely summarizes: "In short, penal imprisonment, from the beginning of the nineteenth century, covered both the deprivation of liberty and the technical transformation of individuals" (233).

Knowledge, Control, and Practices of the Self
But how does the process of observation articulation penetrate to these deep levels? How does the panopticon prevent "moral contagion by active surveillance..."? It does it because, "In absolute isolation... the rehabilitation of the criminal is expected not of the application of a common law, but of the relation of the individual to his own conscience and to what may enlighten him from within.... It is not, therefore, an external respect for the law or fear of punishment alone that will act upon the convict but the workings of the conscience itself" (238). Foucault’s later work on the practices of the self is beaming through this passage. The convict must be forced to internalize a new way of relating to himself. He must come to recognize himself through the eyes of the penal system. He must come to regard his crime as a result of his corrupt and criminal nature. Only by penetrating the level of practices of the self can individuals truly be controlled and transformed. Only by getting a prisoner to accept that he indeed is ‘this way’, can power truly function. "There is a whole mechanics, therefore, of interest, of its movement, of the way that one represents it to oneself and of the liveliness of this representation" (106). Observation and representation must be so strong that it must dominate the mind of the criminal. As one prisoner commented: "I was driven to despair, I wanted to become an honest man again; the surveillance plunged me back into misfortune" (268).

While knowledge and representation have to be powerful, however, it is still the body that must be controlled. As I said above, knowledge only matters so much as it allows the institution to structure the movement of the criminal’s body, and as it allows the individual to regulate his own body through practices of the self. "The point of application of the penalty,” Foucault says, “is not the representation, but the body, time, everyday gestures and activities; the soul, too, but in so far as it is the seat of habits.... As for the instruments used, these are no longer complexes of representations, reinforced and circulated, but forms of coercion, schemata of constraint, applied and repeated" (128). It is about making it so that the criminal is able to regulate his own habits. He must work on himself.

I also want to note that this transformation of individuals is war-like in its nature. It is not about the social contract and the right of the government to save people. But “ultimately, what one is trying to restore in this technique of correction is not so much the juridical subject, who is caught up in the fundamental interests of the social pact, but the obedient subject, the individual subjected to habits, rules, orders, an authority that is exercised continually around him and upon him, and which he must allow to function automatically in him" (128-9). These people are being dominated by the war of the state. They are being coerced and controlled through these forms of knowledge. Foucault explains how it is that penal knowledge and the control of bodies must be translated into a practice of the self. Individuals must internalize this knowledge, and they must begin to train their own bodies and minds: "What is now imposed on penal justice as its point of application, its 'useful' object, will no longer be the body of the guilty man set up against the body of the king; nor will it be the juridical subject of an ideal contract; it will be the disciplinary individual" (227). The disciplinary individual is the criminal who has internalized these forms of knowledge and has begun to regulate himself.

This idea of practices of the self, and the unconscious regulation of the self that comes along with it becomes most clear when Foucault quotes a nineteenth century reformer who said that incarceration establishes a routine that "'gradually becomes by dint of habit that is at first purely external, but is soon transformed into a second nature, so familiar with work and the pleasures that derive from it, that, provided wise instruction has opened up his soul to repentance, he may be exposed with more confidence to temptations, when he finally recovers his liberty'." To speak of second nature is very crucial here. It shows that individuals are being transformed down to the unconscious levels of their mind. They are being trained so that they will regulate themselves. I’ll come back to this notion of second nature in part III when I will introduce neuroplasticity into this discussion.

In this final quotation I want to share, Foucault summarizes nicely how it is that penal practices work. We now have a prisoner that is created by the institutions meant to correct him: "At the point that marks the disappearance of the branded, dismembered, burnt, annihilated body of the tortured criminal, there appeared the body of the prisoner, duplicated by the individuality of the 'delinquent', by the little soul of the criminal, which the very apparatus of punishment fabricated as a point of application of the power to punish and as the object of what is still called today penitentiary science" (255).

So what I have told you in this section is that disciplinary society controls criminals and prisoners through a threefold process. By incarcerating them society is able to build up elaborate knowledge about criminal minds. This knowledge forces individuals to recognize themselves as having an essential and natural criminal nature. This knowledge of their ‘nature’ is then turned against them and is used to justify the direct coercion of their bodies. They are coerced and their lives are structured so as to achieve a transformation of their behavior. Finally, this knowledge and the structuring of their behavior is turned into a practice of the self, a second nature. Prisoners are made to recognize themselves as subjects of legal knowledge, they recognize their own ‘essential delinquency’ and they work on themselves to regulate and correct their own behavior. The key thing here, and the main difference from the control of the population, is the way that criminal’s bodies are dominated and regulated. While I may have lost this point a bit, I believe that all of this happens through high-level simulational mindreading. The authority that tells criminals of their ‘nature’ is panoptical in nature, it always involves observation. These relations, therefore, would always be simulative in nature. It would be impossible for these individuals to work on themselves unless they were simulating the authoritative gaze that they have been exposed to in prison.

Now I’ll turn to the control of the population and how that functions through high-level simulational mindreading. The main difference I want to stress is that the control of prisoners functions both through high-level mindreading and the direct control of bodies, by controlling their bodies prisons enable different forms of high-level mindreading. But with the population control has to function solely through the representation of crime and its punishment.

The Representation of Surveillance and Controlling the Population With High-Level Mindreading
Now this section will be a little different, a little more general, and hopefully a little more explicit about high-level mindreading. As I said, disciplinary power effects the population through the play of representation, and the criminals through actual control. So because it is representation and not direct violence coercion that controls the population, then the population must be controlled primarily through forms of high-level mindreading. I’ll be discussing a serious of different topics, with surveillance being one of the most important. As you invisible readers have surely noticed, observation is a key factor, if not the most important factor, in the functioning of panopticism. All of the sections will revolve around representation as a form of control through high-level mindreading. Further, all of them will be about how surveillance and observation is utilized in different ways. So first I will talk generally about how crime is represented to the public. Then I’ll talk about how discipline in general is represented within society. From there I’ll talk about the role of normalization, which is a byproduct of representations. Lastly I’ll talk about how all of this representations, which revolves around minds, is a form of implicit war. Because don’t forget. The central claim of all of these essays is that the government is at war with its own population. And that they wage this war in the modern age primarily through representations and the control of minds.

The Representation of Crime and Punishment
So first things first. The most important way that the general population is controlled in disciplinary society is through the representation of crime and its punishments. Violence is still the main way that the government has to main control, it is the ultimate recourse for control. Violence, however, as Foucault argued, is now masked by the supposedly non-corporeal nature of incarceration. Since public torture can no longer be displayed, new ways of representing crime and its consequences had to be found. An elaborate form of representation had to be found that would penetrate the minds of each member of society. It can no longer be a violent display that shocks people into behaving certain ways, it must be a subtle coercion that operates in the unconscious. This is what Foucault means when he says that, "The publicity of punishment must not have the physical effect of terror; it must open up a book to be read" (111).

Even during the age of torture representation was the key thing. But it was a representation that took place on a body. But representation has now freed itself from reality and can begin to be a representation in its own right, a representation of a representation. I am very much channeling Foucault in The Order of Things here. But obviously that stuff applies, since DnP came right after TOOT. But because punishment is meant primarily to discourage future crime, these representations must become more powerful than what torture could offer. "[T]he 'pain' at heart of punishment,” therefore, “is not the actual sensation of pain, but the idea of pain, displeasure, inconvenience – the 'pain' of the idea of 'pain'. Punishment has to make use not of the body, but of representation" (94). People do not need to see a body mutilated. They simply need to know that if they step out of line they will be harmed, that they will be locked away. They simply need to have the knowledge that the government will wage war on them.

Again, Foucault stresses the importance of representing the pain of criminals. Their pain is meant to make it so that "the memory of pain [can] prevent a repetition of the crime, just as the spectacle, however artificial it may be, of a physical punishment may prevent the contagion of a crime" (94). Interestingly representation and the E-imagination can bring about pain simply by thinking of it. The pain of the idea of pain, is therefore a very legitimate idea, and indeed confirms that Foucault is describing the spread of new forms of high-level mindreading. By proliferating this representation of crime and punishment the government is effectively providing the people with the evidence they need to high-level mindread, and simulate the possible pain they would feel if they were to commit a crime.

I believe that Foucault is also explicit about how this representation attacks the mind. He says that "it is no longer the body, with the ritual play of excessive pains, spectacular brandlings in the ritual of the public execution; it is the mind or rather a play of representation and signs circulating discreetly but necessarily and evidently in the minds of all" (101). Again, punishment now "uses not marks, but signs, coded sets of representations, which would be given the most rapid circulation and the most general acceptance possible by citizens witnessing the scene of punishment" (130-31). Criminality is now represented in an elaborate fashion that allows individuals to control their own minds. People now have the representations they need to E-imagine the pain they would experience if they were to break the law. People can now engage in a form of high-level mindreading that lets them avoid criminality. Now I’ll discuss representation and reality in disciplinary society more closely.

The Reality of Discipline
The population was exposed to elaborate forms of observation and knowledge that homogenized them, just like prisoners were subjected to. "This hierarchizing penality had, therefore, a double effect: it distributed pupils according to their aptitudes and their conduct, that is, according to the use that could be made of them when they left the school; it exercised over them a constant pressure to conform to the same model, so that they might all be subjected to subordination, docility, attention in studies and exercises, and to the correct practice of duties and all the parts of discipline'. So that they might all be like one another" (182). I am introducing this section with this quotation because I think it expresses the generality that disciplinary power wields. Individuals are not controlled by representations of penality, they are controlled by representations of many different types. In schools, in hospitals, etc.. Or, as Foucault says: "The ideal point of penality today would be an indefinite discipline: an interrogation without end, an investigation that would be extended without limit to a meticulous and ever more analytical observation" (227). While this quotation is about penality, I believe it applies on a general level. In all of disciplinary society penal practices provide the central model, and in all of the great disciplinary institutions the endless interrogation is the ideal. Foucault is more explicit about this general nature of disciplinary society. Prisons are similar to many disciplinary institutions because "in its function the power to punish is not essentially different from that of curing or educating. It receives from them, and from their lesser smaller task, a sanction from below; but one that is no less important for that, since it is the sanction of technique and rationality." (303). Disciplinary society is directly related to legal punishment. Each one is about an observation from above that penetrates the minds of those below.

Disciplinary society also works not only by controlling individuals access to representations, but their access to real experiences as well. This is why one nineteenth-century penal reformer said:"I propose that, from time to time, after preparing people's minds with a reasoned discourse on the preservation of the social order, on the utility of punishment, men as well as boys should be taken to the mines and to the work camps and contemplate the frightful fate of these outlaws" (111). In this example, individuals are given a body of representations, a set of knowledge, and then are forced to witness that actual experience to cement the lesson. They are first given knowledge to help them learn from experience, and they are then made to observe prisoners, and thus receive a synthetic experience.

This is a weak section. I am not quite sure what to do with the above quotations I pulled. But onward to the normalizing power that is exercised over the population by these representations.

Normalization and Control
Perhaps the most important element of control through representation is the normalizing power that comes along with these elaborate representations. If you can get individuals to accept that they are indeed certain ways, if you can get them to regard things as ‘natural’, then it would be easy to control their behavior. Thus Foucault says, "Representation: the representations of his interests, the representation of his advantages and disadvantages, pleasure and displeasure...." (127). By controlling this specific sorts of information individuals can be made to believe that their positions in the world are natural and thus justified.

It is through this control of representation and this normalizing power that each individual mind and body can be refashioned to disciplinary society’s needs. "Individual correction must, therefore, assure the process of redefining the individual as subject of law, through the reinforcement of the systems of signs and representations that they circulate" (128). By utilizing representation individuals come to see themselves as naturally subjected to the law and its rules. This normalizing body of knowledge constitutes what Foucault calls a ‘political technology of the body’. It creates an environment in which relationships are now defined by the relationship to self, other, and ‘normality’: "this knowledge and this master constitute what might be called the political technology of the body. Of course, this technology is diffuse, rarely formulated in continuous, systematic discourse; it is often made up of bits and pieces; it implements a disparate set of tools or methods. In spite of the coherence of its results, it is generally no more than a multiform instrumentation" (26). These representations are simultaneously diffuse and ubiquitous. They appear in diverse forms, but within a universe of discourse that is focused on the same basic things: on bodies and their efficiency, on crime and its representation, on criminals and their essential nature. With all its homogenizing power, however, discipline also allows individuals to be framed as unique: "In a sense, the power of normalization imposes homogeneity; but it individualizes my making it possible to measure gaps, to determine levels, to fix specialties and to render the differences useful by fitting one to another" (184). This is how this political technology of the body functions. It provides a set of concepts that simultaneously individualize and totalize. It makes everyone part of the same, and gives everyone a set of tools to make themselves unique. People are written about with such regularity that they are being dominated by a set of ubiquitous concepts that individualize them: "The examination that places individuals in a field of surveillance also situates them in a network of writing; it engages them in a whole mass of documents that capture and fix them" (189).

Above I wrote that disciplinary society drew much of its capability from the existence of the prison system. Similarly, Foucault believes that normalizing techniques also stem from prisons. "The juridico-anthropological functioning revealed in the whole history of modern penality did not originate in the superimposition of the human sciences on criminal justice and in the requirements proper to this new rationality or to the humanism that it appeared to bring with it; it originated in the disciplinary technique that operated these new mechanisms of normalizing judgment" (183). In other words, it is not simply the rise in new forms of knowledge that allow people to be controlled. It is the process of intense observation and normalization that comes from prisons that enables control.

Indeed, it seems that our society is filled with authoritative individuals that are able to prescribe normalizing judgments. In fact, Foucault believes that all of these authoritative figures function on the model of the judge. Prisons provide the model for all of the normalizing that occurs within the disciplinary institutions: Normalization, "Borne along by the omnipresence of the mechanisms of discipline, basing itself on all the carceral apparatuses, it has become one of the major functions of our society. The judges of normality are present everywhere. We are in the society of the teach-judge, the doctor-judge, the educator-judge, the 'social worker'-judge; it is on them that the universal reign of the normative is based; and each individual, wherever he may find himself, subjects it to his body, his gestures, his behaviour, his aptitudes, his achievement" (304). The prison allows this normalization to take place throughout all of society. Now I want to explain how this representation of people and minds is a war of sorts.

Control Through the Representation of Minds as Implicit War
During the time of torture the control of bodies and minds was accomplished by direct violence, and it was no secret that it was a war of sorts. But these new networks of disciplinary institutions"constitutes a mechanism whose effects follow from one another. Because, without any physical instrument other than architecture and geometry, it acts directly on individuals; it gives 'power of mind over mind'" (206). We are now attacked at the level of minds. Our minds our at stake all the time. The government is at war with our thoughts and wants to be sure that we think of ourselves and others in certain ways. Perhaps we are all lost in this war. Perhaps no one is in touch with these strategic elements anymore. It is such a diffuse and broad set of institutions that it is difficult to detect its strategic nature: "What generalizes the power to punish, then, is not the universal consciousness of the law in each juridical subject; it is the regular extension, the infinitely minute web of panoptic techniques" (224). It is diverse.

Foucault actually explicitly addresses how panopticism has received very little attention. He believes panopticism has received little attention because "the power that it operates and which it augments is a direct, physical power that men exercise upon one another. An inglorious culmination had an origin that could be only grudgingly acknowledge" (225). In other words, it spawned from war originally. The power to observe and classify was first brought about by the war of the government against the people. And now it is just an implicit war of representation, and it is hard to identify its source in violence. It is still intended, however, to avoid revolution, to avoid internal rebellion, to suppress violence, and to retain social order. The prison is the central institution that legitimates this implicit war: “The carceral 'naturalizes' the legal power to punish, as it 'legalizes' the technical power to discipline. In thus homogenizing them, effacing what may be violent in one and arbitrary in the other, attenuating the effects of revolt that they may both arouse, thus depriving excess in either of any purpose, circulating the same calculated, mechanical and discreet methods from one to the other, the carceral makes it possible to carry out that great 'economy' of power whose formula the eighteenth century had sought, when the problem of the accumulation and useful administration of men first emerged” (303). People are controlled in brand new ways now.

Criminals themselves also have their role in panoptic mindreading. As a group to be represented, they are there to wage war against us. They have been co-opted into society’s open strategy: "delinquency, an object among others of police surveillance, is also one of its privileged instruments.... Delinquency, with the secret agents that it procures, but also with the generalized policing the it authorizes, constitutes a means of perpetual surveillance of the population: an apparatus that makes it possible to supervise, through the delinquents themselves, the whole social field. Delinquency functions as a political as a political observatory.... But this surveillance has been able to function only in conjunction with the prison" (281). The war against us is thus waged from many angles. Networks of institutions monitor us, it keeps us from revolting, it normalizes our behavior, and it situates us in a group of criminals that enforce a sort of observation on us. This is all accomplished, I think, through a sort of high-level mindreading. We imagine these institutions watching us, and we work on ourselves. We accept this normalized terminology and we think of ourselves in that way. We imagine criminals and we let them instill fear in us.

Finally I just want to touch on the idea of pure theory-theory mindreading, and the idea that our mind is truly the place that disciplinary society builds its prisons.

Pure Theory-Theory Mindreading as Structuring A Priori Thought
I think that with the rise of very elaborate forms of knowledge we probably don’t always rely on simulational mindreading. I suspect that when knowledge is elaborate enough we simply draw theoretical inferences all the time. We just judge people so quickly. I think that if this were to get into a certain point then this would amount to a structuring of a priori thought. In other words, people wouldn’t even realize that these bodies of knowledge were structuring their thought. They would regard it simply as the way things are, the way things are talked about or thought about. But it is just a complex network of social knowledge, it is just a socially constructed body of knowledge that is structuring their a priori thought. Because "punishment is directed above all at others, at all the potentially guilty" the guilty man as a representation "must be accepted and redistributed by all; they must shape the discourse that each individual has with others and by which crime is forbidden to all by all – the true coin that is substituted in people's minds for the false profits of crime" (108). People’s every conversation must come to revolve around the same terms, the same words. If people only have a simple set of terms to work with, over-generalized terms, then their a priori thought is thus structured for them, and they may be engaging in pure theory-theory mindreading. A strange and frightening idea. I’m tired.

The Prison of Our Minds
This is a final comment I want to make. Basically the idea is that control has been achieved by turning our own minds into a prison. All of what I described above makes it so that we can only think in certain ways. We can't help but regard criminals as natural and deviant. We can't help but regard the law as the basis for 'true' morality. We can't avoid thinking about morality and crime in certain ways. Our minds, therefore, become a prison of sorts. It is this transformation of the prison from a physical place to a discursive apparatus, from a building to a form of a priori thought, that truly ensures the functioning of power. Once people have accepted prisons and delinquency as natural, their minds can no longer do anything but regard it as such. Once we accept state sanctioned discourses as 'true' our minds become a prison in which we can no longer think certain ways. This is the level that panopticism penetrates, and this is the level of high-level mindreading.

Concluding Chapter 4 and Part II
In part II of this series of essays, chapters 3 and 4, I wanted to establish that Foucault’s definition of power as relational necessitates that we consider how it is that minds relate to one another. I chose simulation theory of mind as my primary way of grounding myself in a philosophy of mind. In chapter 3 I established this concept very generally, I explained how it is that social relations have to be between minds, and how it is that torture and prison would enable different forms of simulational mindreading.

In chapter 4 I was trying to elevate this discussion to a more complex and nuanced level. In particular, I used Alvin Goldman’s distinction between low- and high-level mindreading to explain the different types of mindreading utilized in torture and discipline. I believe that the immediate and face to face nature of torture makes it rely mostly on mirror neurons, and thus low-level mindreading. I then tried to explain how the abstract nature of panoptical knowledge would make it rely mainly on the imagination and thus high-level mindreading. I then entertained the idea that elaborate knowledge could lead to pure theory-theory mindreading that would bypass any process of simulation. I then explained in turn how these abstract forms of high-level mindreading would control both prisoners and civilians. Criminals would be controlled by producing a body of knowledge about their minds and ‘natures’, by using that knowledge to coerce them into different behavior, and by forcing this coerced to become second nature, and thus a practice of the self. Civilians on the other hand, would be controlled primarily through abstract representations. I claimed that by representing punishments individuals were made to fear the consequences of crime, that disciplinary institutions drew on the same tools invented by prison institutions, that disciplinary society produced ‘normalizing’ knowledge that got people to accept their positions, and that these forms of representation were a way of maintaing social order and were thus an implicit war of sorts. Lastly just explored the idea of pure theory-theory mindreading again, but in relation to the notion of the a priori conditions of thought this time.

This was a big push, a big challenge. I think I got sloppier as it went on, because, frankly, I’m not equipped to handle this stuff. This is the general lesson of these essays: I’m not smart enough yet.

But I’m excited because in Part III, chapters 5 and 6, I’ll be bringing practices of the self and neuroplasticity more into the picture. I will be able to specify the pragmatics of this all more clearly.

Wednesday, August 11, 2010

Stream of Consciousness Writing is Hard, Easy, and Emotional

So i have a really hard time just letting myself loose in writing.

Sometimes its really hard to just go and go and go without catching myself and saying hey wtf don't write that. But sometimes I do it. It can be done.

But it seems difficult to not have some sort of contextual weight holding me back,

My day has always been a certain way and it seeps into my writing.

I just can never exist in a void.

And it doesn't really ever become clear to me what a stream of consciousness would be like. I suppose this is one right now

I'm not stopping. I won't even stop to put a period at the end of that last line.

I just hit enter every few lines or so and I don't stop.

Enter enter enter enter enter enter enter enter.

Didn't even cut and paste that. Just typed the word enter a bunch of times.

Let the song change and let myself and keep going.

I am working on such constructed writing these days. My society's implicit war essays are so constructed.

So elaborate.
They feel so complex and strange to me. I don't think anyone will read them, and especially not in the way I see them flowing.

Because frankly I see all of the chapters as building on one another. And I see them going in a really powerful direction.

But so what. It doesn't matter.

It is something I'm doing for myself. And it pleases me that I can just go BOOM HERE IT IS.

Or that I will be able to do that.

Lil Wayne. That is the song. What a spazz this guy seems to be.

Then I stopped to stretch.

Cause I went blank.

Then I got up and washed my hands. Sometimes my hands feel bad. Sometimes my fingers feel bad on the keys. So I wash them and it never seems to help.

But in the bathroom I was just like well what the hell. What is all this business about rawness. What is raw expression. How do words tap into the world of emotion. Words distort and express at the same time.

How do I put my emotions into words. Because I care about that.

Is fictional prose crafted carefully? How do novelists or story writers work to express themselves? Because it is sorta beyond me. I don't get fiction writing. I don't do it.

How to be real with words? Well whatever. That isn't the point. All these words are real.

But I'm not words. And that is the most important thing of all.

That is why identity can never be adequate. Identity is always words.

And I aint words, son.

I am definitely not words. But I try to make words into me.

I try to do it. Then I look at my writing and I say 'you don't know me'. Don't pretend.

And in some ways this comes back to context again. Just always being grounded in strange moments and in my strange body. Writing is not life.

Then my head exploded and I said I'm done here. I'm done with this particular post. I'm done following this river.

Because my mind isn't a river and I refuse to think of it in that way.

Perhaps the metaphor of the stream of consciousness is all wrong.

Maybe it is a network of consciousness. It sure as hell is not linear.

I sure as hell don't just follow clear patterns in my mind.

I have to work so hard to make my thought into lines.

Expansion and contraction. Mental expansion and contraction.

The universe does that too.

Maybe its a universe of thought.

Maybe my writing is like a spaceship that I can't predict where it will end up.

Something like that movie event horizon where the universe gets folded into two.

Perhaps writing just endlessly folds my mind and punctures different holes in it.

I move from place to place so quickly. My head is so blown these days. And I care.

But not enough to stop me. From doing anything. I'll do it all. I am ready to do it all. So ready to do it all. Just move and move.

These are not very interesting metaphors.

Frankly I'm responding to a comment about using weird metaphors.

How to write surreal fiction? Steve Erickson said he doesn't even know what he is writing most of the time.

Sometimes I am afraid of just following a stream of consciousness, or of writing the weirdest things I am capable of writing. I could write such weird things. Say such violent things, such strange things. Not because I want to be violent or weird, but because I can say those things.

It feels frustrating to not be able to think or say certain things.

What are the boundaries of inappropriate thought? Is there such a thing?

I certainly don't want to cause anyone any pain. I just want to be the most gentle spazz in the world. I want to tell everyone that I love them. And that is such bs to me. This universal love. While I feel lit. I love everyone. I don't want anyone to feel bad. But isn't it frustrating?

Isn't it frustrating to just wish that everything could be okay. Wouldn't it be nice if things were just okay? And the world is okay for me. My world is okay right now. But other people? Of course not. Some people's lives suck. Bad.

I should do more for those people. I think I act locally, some. And I think I think globally. But so what? It is hard, so very hard to feel like this empathy is worthwhile.

I'm frankly losing myself in this writing. I'm starting to run weird spirals where I'm frustrated and I'm happy and I want to love more.

I love quite a lot. And I just want this to be the clearest thing of all: I'm a lover.

I love loving and I love the idea of love. It is so important to be gentle, tactful, loving, kind. And people know this about me I think and hope.

I hope people know me as a loving person. But it can be hard. Interactions are hard, and I hope that love is something I can exude. Not super likely that this is the first thing people would say about me.

But who knows what anyone has to say about anyone anyways. Tough to know for sure.

But god I love to think about love. I just find love to be so much better than hate.

I find kindness to be so much better than meanness.

And I have my bad days. I struggle. I can be harsh. I will put my words to aggression if I need to.

So unfortunate. I don't want to be aggressive.

And god dammit it is so frustrating that so much of what I read about is war and violence. Pain and terrible things.

But hey, I'd rather be a 'realist', as stupid and arrogant as that sounds.

What else to call it? But isn't the world mostly painful? Doesn't life hurt a lot? I mean it is also great. But it hurts. It hurts.

But hey, no problem. Buddhism and Nihilism. Suffering is inevitable. Life is an illusion.

Lets do our best to ease suffering and to perceive reality as accurately as possible.

This is what a lot of my writing is about. Or I would (so arrogantly) like to think. I want to think that I want reality. That I want to know what is happening in the world.

That is why at the end of the day I HATE WORDS.

Because they aren't life. They aren't experience.

They take me further from it. Life is raw and words cook life. What a thing I keep coming back to.

I can feel myself spiraling up and down here. Love and pain love and pain love and pain love and pain love and pain and pain and love love love love love love love love love.

Life hurts and I love it. So there. That is probably the best conclusion to reach.

Because jesus christ I don't want to get older and hurt and hate.

I'm not afraid of getting older. I want to get older. But I don't want that aging to make me hate.

I don't want to become bitter or jaded. I want to remain gentle. I want to look at the worlds pain and not let it break me. But who knows if that can happen.

What stupid words. What a terrible sort of line to follow. This is strange.

At the beginning of this I wasn't sure if I could write a stream of consciousness at all. If I could let myself go.

And it turns out I've gotten quite emotional in this piece. And that is what I wanted. To let go and let myself just flail with words. As useless and nonsensical as that sounds.

I would smash it all if I could. Smash what? I don't even know.

It is just hard for me to manage my desire for love and affection with my understanding of life as an inherently painful thing.

And words. Get out of here, you words.

I repeat, I am not words.

Sometimes I unleash these strange series of sentences. These little rambles. And it tosses me up emotionally. This one sure as hell has. Something quite strange. I don't even remember what I wrote in this.

So don't think this is you. Don't think this is what it is like to be Riley. I don't care enough about words to think this is me. I aint words.

Maybe I'm emotions. But it turns out that is just a word too.

I'm not a spazz. I'm a lover. I'm not a fighter. I'm a lover.

Tuesday, August 10, 2010

Strange and (Hopefully) Creative Prose, Or, How I Want to Write Poetry and Fiction but Also Don't: A New Era of Personal Exploration?

A few days ago I had a conversation with a friend about writing poetry and fiction. It is an interesting thing for me to think about for a few reasons. First and foremost, I want to be creative, I think I am creative. But also, I find myself struggling (on the rare occasions I have tried) to write fiction or poetry. I once had an idea for a novel, and I wrote two pages, but it didn't hold my attention, and I didn't feel like I was writing it well.

So that is the struggle: that I want to be a creative writer but I don't typically express myself through the traditional mediums associated with creative writing (i.e. fiction and poetry).

So how am I suppose to do that? How am I supposed to write poetry or fiction? How does that type of writing come organically to people? Should I try? Can I just write it on this blog? I dunno.

When I first started this post that was my plan. This title, 'strange and (hopefully) creative prose', was about how I just wanted to get on this blog and write weird things. Follow weird lines of thought.

About how my eyes burn through people's stomachs because I want to eat their innards. Or how I want to devour their hearts because I want to taste their lives. I wanted to write in hyperbolic terms about cannibalizing people because I want so badly to express my hunger for empathy. I want to eat everyone's minds. I want to eat them alive.

And frankly I really enjoy hyperbolic prose about cannibalism. I identify with it. My desire for empathy, in all of its forms, simple and complex, basic and philosophical, eats me alive. My own mind eats me alive. I cannibalize myself and I feel like I need to cannibalize others.

Are these metaphors doing anything for you? Does cannibalism express any empathy to you?

But now I also want to explore a few more ideas about creative writing in general and its relationship to fiction and poetry. R.G. Collingwood and David Shields have given me some interesting ways of thinking about this problem.

Collingwood helps mainly because he described philosophy as a 'poem of the intellect'. He said that in philosophical writing the philosopher should be bearing the whole of their thought processes. They should be fully exposing themselves. They should be vomiting words. Carefully crafted vomit, precisely articulated vomit. I say vomit only to express the rawness the authenticity of philosophy as Collingwood describes it.

I want to be a philosopher. I would love to say that I am a philosopher. Just in that I think hard, and I pursue lines of thought. Collingwood also said that philosophers take propositions and carry them out to their furthest logical conclusion. And I love doing that. I think that over the past couple years I have consistently thought about the same things and that I am trying to push these ideas to their maximum. So poetry and philosophy. Curious. Prose poetry.

David Shields is a bit more unconventional in his approach to creativity. I read two of his books, Reality Hunger and The Thing About Life is That One Day You'll Be Dead. He teaches at University of Washington, and it turns out my aunt actually knows him. So I have fantasies of meeting him some day when I get to Seattle. He seems like such a neat writer. He seems to be thinking such interesting things about writing as a whole.

He pegs the novel as having lost much of its cultural relevance. He claims that the most interesting creative projects he sees are non-fiction. I want to spend a lot more time looking at Shields' work. He seems so interesting. I also find it very interesting that he was initially writing fiction, then moved away from it.

I suppose the main reason that I find Shields so interesting is that he doesn't care about the blending of genres. He thinks that memoir, fiction, and non-fiction can fit cleanly onto the same page. How awesome. And he believes that all writing has an element of fiction. How could it not? I very much agree. The Thing About Life is a memoir in which he blends medical facts about the growth and decay of bodies. It frames the memoir, or whatever to call it, in such an interesting way.

What if I wrote a memoir that was blended with my favorite philosophies of mind? I think I could describe my own life using the notions of simulation, empathy, tacit theory, and so on. All of my favorite philosophical ideas could be a part of my memoir or autobiography.

But let me return to the idea of fiction and poetry. How do I engage in a form of writing that is creative, philosophical, historical, and yet poetic and fictional? Well, as it turns out, it seems that I have just unwittingly used Collingwood and Shields to answer this question. lol. This occurs to me only after I wrote that question.

If all philosophy is a 'poem of the intellect' of sorts, and all writing, all weaving of narrative contains an element of fiction, then plenty of my writing is both poetic and fictional, and thus creative.

I know I am creative. I know I think creatively and I think I live creatively, but it isn't easy for me to articulate this. How am I creative? How is my writing and my living creative and poetic? Well, it just is. Philosophy and narrative have to be, there is no way around it.

But I think the real issue here is that I would like to do some writing that would be totally disconnected from reality. But I don't think that is true. I don't think I really want to write something separate from my life. What I really want what I'm really getting at, I think, is that I want to write prose that is so abstract that it doesn't communicate anything in particular. Like my brief statements about cannibalism above. That is very connected to my thoughts on living, but it is different, it isn't clear, it isn't direct explication of an idea. It is hyperbole, it is abstract, it is different.

So what I really want is to write weird things. To explore my thoughts and feelings by using metaphors that verge on the surreal. God I love surreal fiction. I think that is what I want. I want to explore my thoughts through bizarre metaphors. Because so often my prose is so direct, so philosophical, I am typically aiming for maximum clarity in explicating my philosophical ideas (which are always very very personal ideas).

So I want to explore my ideas through more odd and surreal prose and metaphors. I think this would let me push the limits of my thinking in ways that precise prose couldn't. That makes sense.

Don't be afraid of intense and surreal metaphors, Riley, they will take you different places.

I read so much about the limits of articulation that this is a valuable conclusion to reach. I can explore my ideas through nonsensical prose. It will help me make sense of my ideas.

When I walk into a room I hate the words. I typically look around and take every mind inside of me. But I do it with the worst concepts. I do it with tired words.

My tool kit for cutting up the world isn't adequate but it grows. I hate this self-conscious writing I am doing now. It has to be natural, this surreal and hyperbolic exploration of my thought. How to create weirds metaphors.

I so often come back to the metaphors of burning and fire, of cannibalism and digestion.

I get into verbal arguments, debates, and I feel like I eat people alive. I will devour anyone who wants to debate me. But I'll do it gently and tactfully. And frankly I long for those people that can eat me alive. That can look at my thought and make my brain melt. They tell me they understand what I said and then they tell me while I'm wrong.

How to do this? How to make this move towards this new type of mental exploration? How to let my mind unleash itself through odd and surreal prose? How to contain my hate that comes out in these metaphors? How to avoid my tendency to think in terms of cannibalism? It is only because I love empathy so much that I speak in those terms. My power for empathy, or my desire to be empathic, influences most of my writing and thinking. Then sometimes it doesn't. I'm a monster.

Once a friend told me that he didn't think he would ever be able to read as well as Professor X (I refuse to use the real name right now). My response was, 'I am Professor X'. I want to empathize so hard with people that I want to become them. I want to simulate other people's minds and literally make them a part of me.

I want to gently caress your mind into a ball that I can put inside my brain. I'll make you mine and you will still be you and I will still be me. But I want to put everyone's minds inside of mine. It hurts sometimes and I still want to do it. To put a jagged mind inside my mind. To take a mind that is rough around the edges and to force it into my delicate.

I also feel furious because I think it can be so hard to avoid trite metaphors.

Hayden White has helped me think more explicitly about metaphor. It is such an important means of communication. Unfortunately, in these days of inverted culture it can be difficult to find original metaphors. That is what this post is about wanting. I want fresh metaphors. Cannibalism is a metaphor for empathy and mental simulation that I like.

My arms are tired. Over and out.

Monday, August 9, 2010

(Hopefully) More Adequate Writing

I feel like the more of these "Society's Implicit War" essays that I finish the better I feel about the project. The more I feel like I am making progress. The more I feel like I actually am thinking creatively.

I'm just in a weird point in my life in about every way, and I find these long essays to be a fascinating compliment to my already weird life. But I really like the direction it is going. I really like the flow that I am starting to see emerge in it. When I initially built my outline for all six parts I felt like it had a nice flow, I liked it. But now that I'm getting close to writing it, I feel good about it.

Part 1 - establishing society's constant war of social order

Part 2 - establishing the war of representations relationship to simulation theory of mind

Part 3 - establishing the implications for self-directed neuroplasticity once I have fleshed out all the other things

Frankly I find it quite compelling. But why wouldn't I?

Lol. No one is going to read this stuff. And I imagine it will be something for me to reflect on in a few years. Hopefully when I get into a doctoral program I'll be able to look at this stuff fondly. Maybe I'll even be able to use it for my graduate work. Certainly not directly. But as a guideline. As a source of ideas. As a source of inspiration or a source of warning. "you were doing this well, but steer clear of that cause you were thinking whack".

I'm all over these "Society's Implicit War" essays.

I look forward to becoming the person who has finished them. Because right now I am still the person that is working on finishing them.

I look forward to becoming the person that can move on from them and regard them as an accomplishment or as a failure.

But I want to become the person that can regard them.

Because right now I'm still the person working on them.

I really want to write on this idea I have called 'The Genealogy of the Modern Mind'. It will be heavy. Really heavy. I feel like it is probably the best way to describe my overarching project at this point. Just wait. You invisible readers won't know what to do with this stuff. I don't even know what to do with this stuff.

Society's Implicit War: Foucault's "Discipline & Punish" and Military History - Chapter III

This project, the "Society's Implicit War" essays, are the most substantial thing I have worked on thus far. I have six essays planned. They are divided into three parts, each with two chapters. Part I was called 'Society’s Implicit War from Monarchy to Republic'. This is part II titled 'Simulational Mindreading and Power in Torture and Discipline'. Part III will be called 'The Pragmatics: Being A Guerilla of Power/Knowledge'. So, this is part of a larger project. I am publishing them serially because they will take more time and I want to put it out there now. So if you have any genuine interest in this stuff please start with chapters 1 and 2 which I posted on 7/23 and 8/5, respectively. I repeat, I am probably in over my head, but I am doing my best here. And I am finding it to be a very helpful exercise.

Part II: Simulational Mindreading and Power in Torture and Discipline

Part II will consist of chapters three and four. In Part I, chapters 1 and 2, I established generally the idea that all of social order rests on physical violence and thus constitutes a war of sorts. Further, that with the decline of torture and the advent of modern penal institutions society's war became 'implicit' and began to be waged more through knowledge and representation, and less through explicit violence. This is chapter 3. Chapter 4 is in the works.

In part II my main concern is to establish the connection between the implicit war of representation and simulation theory of mind. Because the government's war against its own population is now waged through representation, minds must be the key factor. Only by gaining control of minds can society now effectively wage war by controlling minds at the unconscious level. This portion of this project (part II, chapters 3 and 4), therefore, will focus on how simulation theory of mind can help us understand how the government is waging a war against our minds. Here is a table of contents for chapter 3.

3.Observation and Simulational Mindreading in Relations of Power/Knowledge

a. Power/Knowledge, Social Understanding, Relations With Others in General, and Theory of Mind
b. Power/Knowledge and Simulational Mindreading: Torture and Discipline as Enabling Different Ways of Simulating Other People's Thoughts
c. Observation of Torture and Simulational Mindreading: The Fleeting ‘Spectacle of the Scaffold’
d. Observation and Simulational Mindreading in Disciplinary Society: The Inescapable Panopticon

Observation and Simulational Mindreading in Relations of Power/Knowledge

So now that I have spent these first two chapters fleshing out Foucault's writing on the relationship between social order and war, the different strategies of truth in torture and prisons, and the role of power/knowledge in modern society, I want to bring philosophy of mind into the picture. Foucault defines power as a relationship between individuals that is constituted by certain forms of social knowledge. Further, these social relations often function on the basis of observation. So, the unavoidable conclusion, for me, is that it has to involve some sort of understanding of the mind. When you have individuals watching other individuals, we have to think about the how of understanding other minds. How is it that these other people are watching these scenes of torture or the panopticon? And how does this mindreading allow power to function? I believe that simulation theory of mind can offer some compelling answers to this question of how observation can enable power to function in the minds of the observers and the observed.

Power/Knowledge, Social Understanding, Relations With Others in General, and Theory of Mind

So the first thing I would like to do in this section is to use some evidence to discuss how power/knowledge functions primarily as a relationship between minds. If Foucault defines power/knowledge as a relationship between individuals then we need to consider how it is that minds engage with other minds. First I would just like to say that I have read quite a lot of different things about how minds are the primary concern in most of social relations. Currently, I am reading a book by Chris Frith called Making up the Mind: How the Brain Creates our Mental World. Frith, as well as Goldman, Searle, and many others, maintain that minds are the primary concern when it comes to relating to people in general. Bodies, in fact, often serve only as a way to read and understand other minds. Bodies are secondary to minds. Minds are the most important thing in relating to others.
So how would power best function as a means of internal control of society? Well, Foucault seems to believe that prison reforms, and disciplinary reforms generally, were intended to change the way that individuals gained access to knowledge of other individuals. By building elaborate forms of knowledge, and by dispersing these knowledges into the population at large, disciplinary institutions could change the way that other people thought of each other on an unconscious level. I believe that this is very closely related to my post of 6/13 in which I discussed the a priori imagination. Thus, power functions by changing the way that other people think of each other’s minds. And the level at which these relations are changed is the most important thing. Reforms wanted to change the basic underlying structure of how people related to each other. They needed to change the a priori conditions by which individuals related to one another’s minds. As Foucault puts it, modern power/knowledge "relations go right down into the depths of society, that they are not localized in the relations between the state and its citizens or on the frontier between classes and that they do not merely reproduce, at the level of individuals, bodies, gestures and behavior, the general form of the law or government; that although this is continuity (They are indeed articulated in this form through a whole series of complex mechanisms), there is neither analogy nor homology, but a specificity of mechanism and modality" (27). In other words, these are not relations between groups, they are nuanced relationships between individuals that all possess a common theme: they are informed by disciplinary forms of knowledge, and thus exist within the political discourse of disciplinary society.
Furthermore, Foucault speaks of this change in power/knowledge relations in terms of ‘economic’ regulation. Meaning that it was designed to create a homogenous or united discourse that would make sure that everyone utilized the same basic terms, that everyone would regulate themselves based on the same notions. This is considered ‘economic’ because it has to do with the balance and distribution among a population. Frankly, Foucault’s use of the term economic confuses me. But I believe this quotation speaks for itself: "The true objective of the reform movement, even in its most general formulations, was not so much to establish a new right to punish based on more equitable principles, as to set up a new 'economy' of the power to punish, to assure its better distribution, so that it should be neither too concentrated at certain privileged points, nor too divided between opposing authorities; so that it should be distributed in homogenous circuits capable of operating everywhere, in a continuous way, down to the finest grain of the social body" (80). New forms of penal justice and discipline in general were intended to make everyone aware of the same types of knowledge. When everyone is equipped with the same forms of social knowledge, we can be sure that power will function in relatively the same way. Thus, power/knowledge functions by structuring the evidence that people have to conceptualize other minds.
Again, I believe that this amounts to changing the a priori conditions by which people are able to thought. It is about introducing an entirely new climate in which only certain types of thought are possible. I have even heard the Foucault discussed something called the ‘historical a priori’ of a period. This is the underlying conditions by which individuals are are able to think, it is the a priori structure of a person’s historical moment. Discipline, therefore, functions primarily by changing the a priori conditions that give rise to other people’s thoughts. I believe that this is precisely what Foucault means when he says, "It is not simply at the level of consciousness, of representations and in what one thinks one knows, but at the level of what makes possible the knowledge that is transformed into political investment" (185). In other words, power functions by modifying the a priori levels of thought. In my post of 6/13 I clearly established the relationship between the a priori imagination and simulation theory of mind.
This structuration of knowledge explains why disciplinary surveillance produced a new describability that was "all the more marked in that the disciplinary framework is a strict one: the child, the patient, the madman, the prisoner, were to become, with increasing ease from the eighteenth century and according to a curve which is that of the mechanisms of discipline, the object of individual descriptions and biographical accounts. This turning of real lives into writing is no longer a procedure of heroization; it functions as a procedure of objectification and subjection" (192). Suddenly, the population has a unified body of terminology to describe each other. Descriptions become homogenized around a similar set of terminology. Power/knowledge structures discourse, and thus structures the ways that minds can speak and think of other minds.
In these last give paragraphs I have told you that Foucault’s description of power/knowledge, with its relational character, has to function by changing the way that minds unconsciously think of other minds. That it does this by dispersing an elaborate body of knowledge throughout the entire social body, thus equipping everyone with a uniform language for minds. That this elaborate body of knowledge provides a basic structure by which other individuals can then think of each other, and that it is this structuring of social reality that truly allows power/knowledge to function between all groups in society. Foucault’s discussions on the rise of the concepts of the madman, the pervert, etc., demonstrate the new uniformity by which other people’s minds can be described. Since Foucault believes that it is these new descriptions, these new knowledges, that allow power to function within the social body, we cannot avoid the fact that the mind and how we understand minds is the way that power functions. Thus, I believe that an adequate theory of mind, a philosophy of mind, will be the only way for us to understand the functioning of the power/knowledge that Foucault describes. My goal in part II of this project, therefore, is to explain how theory of mind can help us understand how power functions in society. In my reading on philosophy of mind, I find simulation theory of mind to be most compelling. It does a good job of explaining how empathy, in basic and complex forms, can account for thought about other minds. We make sense of people mainly by simulating other people’s thoughts, by empathizing, by putting ourself in their shoes, so to speak. I’ve written a ton on simulation, so if you are reading this (lol unlikely), and don’t know what I am talking about, defer to any of my other posts with the word simulation in them.
Before I move on to explicating this idea in more detail, I just want to provide a quick example of how I think that simulation would function in disciplinary institutions. The following quotation demonstrates how observation would function by giving people evidence that would allow them to simulate the thoughts of other people. Foucault explains how in factory workshops discipline was maintained by having a headmaster or manager walk up and down a central aisle that made all the employees observable: "By walking up and down the central aisle of the workshop, it was possible to carry out a supervision that was both general and individual: to observe the worker's presence and application, and the quality of work; to compare workers with one another, to classify them according to skill and speed; to follow the successive stages of the production process" (145). This maintenance of power through observation functions far beyond economic institutions. It permeates the whole of society and places everyone in a ‘field of observability’ that allows power to function: "Discipline makes possible the operation of a relational power that sustains itself by its own mechanism and which, for the spectacle of public events, substitutes the uninterrupted play of calculated gazes. Thanks to the techniques of surveillance, the 'physics' of power, the hold over the body, operate according to the laws of optics and mechanics, according to a whole play of spaces, lines, screens, beams, degrees and without recourse, in principle at least, to excess, force or violence. It is a power that seems all the less 'corporal' in that it is more subtly 'physical'" (177). Power, therefore, is maintained primarily through a relationship of observation. It is maintained by forcing minds to watch other minds.
Interestingly, however, it is not just the headmasters observation that matters – it is the employees knowledge of the fact that they are being observed and classified. Thus, the employee is in someways responsible for how power is exercised over him, it is his mind, and his mind’s knowledge of other minds that allows power to function within him, that keeps him within the workshops world of power/knowledge. Foucault is so explicit about this: "He who is subjected to a field of visibility, and who knows it, assumes responsibility for the constraints of power; he makes them play spontaneously upon himself; he inscribes in himself the power relation in which he simultaneously plays both roles; he becomes the principle of his own subjection" (203). In other words, it is not just that the headmaster observes employees, but that the employees internally simulate the gaze of the master that allows power to function. Simulation theory of mind, therefore, must be the proper starting point for understanding how it is that mere knowledge of other minds can make power function. We need to understand why knowledge of another mind could make you modify your behavior. No one is coercing me, I am simply being observed, so why am I acting differently? My answer: because you are responsible for simulating that other mind within your own mind, you are causing that other gaze to change your behavior, despite the fact that you are not being directly of physically coerced. We need some philosophy of mind to explain how knowledge of other minds enacts power, and I think that simulation provides a good answer.

Power/Knowledge and Simulational Mindreading: Torture and Discipline as Enabling Different Ways of Simulating Other People's Thoughts
So now that I have laid out my general claim about the role of simulation theory of mind in Foucault’s notion of power/knowledge, I want to explore how simulational mindreading would differ in torture and discipline. In particular, I want to explore how torture and discipline would enable different ways, different qualities of simulation. Simulation provides a good model for understanding how people interact with others. Thus, if torture and prison both involve different forms of power/knowledge, and both derive their power/knowledge from observation of some sort, then simulational mindreading can be the only way that these forms of power/knowledge are enacted on the micro level, the subjective level.
I suppose I want this section right here to be brief, a transition of sorts. I have already established that social relations with others, which always involve observation in one form or another, are probably facilitated by the simulation of other people thoughts. But having established, in chapters 1 and 2, that the transition from torture to discipline involves very different systems of observation, I have to assume that torture and discipline involve very different types of simulation, different qualities of simulation, and different effects of simulation. The biggest difference between discipline and torture, when it comes to observation, is the duration and intensity. With torture, the monarch makes an occasional spectacle out of the tortured body – the observation of torture is sporadic in nature and thus can only act on people every now and then. In disciplinary society, however, observation is made to function constantly, it is very regular. Further, disciplinary society, which is associated with prisons, functions in all of life. "The minute disciplines, the panopticisms of every day may well be below the level of emergence of the great apparatuses and the great political struggles" (223). And as for the transition from torture to discipline: "The scarcely sustainable visibility of the monarch,” Foucault argues, “is turned into the unavoidable visibility of the subjects" (189). It is undeniable, therefore, that torture and discipline enable different types of simulations mindreading.
So now that I have made my claims about the importance of simulation theory of mind in relating to others, the importance of relations with others in power/knowledge, and thus the importance of simulating other people’s thoughts in torture and discipline, I’d like to explain more clearly how it is that torture and discipline involve different types of simulational mindreading. When I say different types I realize that this isn’t very precise, and I am working on articulating this more clearly. It involves a different quality of mindreading, a different sort of mindreading. In chapter IV I will be able to use one of Goldman’s concepts to draw a more precise distinction between the types of mindreading that are used in torture and discipline. But for now I am gonna try to navigate this distinction in more general terms. Goldman will allow me to elevate this discussion to a more technical level.

Observation of Torture and Simulational Mindreading: The Fleeting ‘Spectacle of the Scaffold’
So first things first, torture. How exactly does torture require simulational mindreading? Why does the public observation of torture require us to simulate other people’s thoughts and experiences? Why does torture power have to function through simulation? Well, I would like to talk about four things. First, that torture has to function via mindreading because it is spectacular by nature – it requires that people witness another person being harmed. Further, that this observation is often explicitly simulative in nature, as I’ll show. Second, that the witnessing of torture immediately causes people to understand not only the pain of the victim, but the power of the king that demanded the torture – that is to say that torture not only allows the crowd to simulate the mind of the criminal, but it allows them to simulate the mind of the sovereign as well; it is a festival of minds. Third, that the observation of torture allows people to simulate, and more importantly, to internalize the perspectives that are being observed. In other words, power functions not simply because we observe and simulate perspectives, but because we learn to hold those perspectives in our minds on an unconscious level. Fourth, because torture is a fleeting and short lived event, it has to be so violent and extreme so as to make a deep impression on individuals, thus the importance of internalization. In short, torture causes power to function because it makes people simulate the pain of a tortured body, it makes them realize that the torture is the result of the sovereign’s will, it forces them to deeply internalize these simulated perspectives (of the victim and of the king), and its fleeting nature uses intensity to have long lasting effects.
Torture has to be simulative in nature because it is meant to display certain truths about bodies. Further, it is often theatrical in its quality. Thus, it allows power to function by forcing people to simulate the pain of a tortured criminal. Thus, when the sovereign enacted torture, he was aiming for a strong display that would allow people to understand the pain that was inflicted when the law was broken. Thus, Foucault argues that "from the point of view of the law that imposes it, public torture and execution must be spectacular, it must be seen by all almost as its triumph. The very excess of the violence employed is one of the elements of its glory: the fact that the guilty man should moan and cry out under the blows is not a shameful side-effect, it is the very ceremonial of justice being expressed in all its force" (34). Thus the extreme nature of torture is meant to force people to witness and experience the criminal’s pain for themselves. This is why torture has to be a public, and not a private spectacle. It is not intended simply to destroy the body of the criminal: it is meant to cause other people to think of the criminal’s pain and mind in certain ways: "The tortured body is first inscribed in the legal ceremonial that must produce, open for all to see, the truth of the crime" (35). Again, the relationship between observation and power cannot be explained without reference to an adequate theory of mind. And again, I find simulation theory to be the most compelling theory. So I believe that torture functions by forcing people to simulate the pain of the tortured criminal, and thus it changes their perception of crime and punishment by exposing them to the potential pain they could feel if they were to break the law.
I also believe that the simulative nature of torture can be seen in how the spectacle of torture was managed. The sovereign actually went to great lengths to make the spectacle of torture have an effect on the population, and one way of making torture more effective was by controlling the way it was represented. Interestingly, torture could be made more effective by introducing a theatrical quality to the torture: there are "some cases of an almost theatrical reproduction of the crime in the execution of the guilty man – with the same instruments, the same gestures. Thus justice had the crime reenacted before the eyes of all, publishing its truth and at the same time annulling it in the death of the guilty man. (45). I used this quotation in another chapter, but I find it very compelling. The word reenacted directly implies that the observation of torture indeed involved some level of simulation. It couldn’t not involve some amount of simulation. And this emphasis on reenactment shows that even those involved in torturing felt to a certain extent that they were reproducing an experience for the audience: they were explicitly simulating the process that brought the person to the scaffold, and they were implicitly forcing the audience to simulate the pain that the criminal was experiencing during torture.
Not only does torture cause the crowd to simulate the pain of the tortured criminal, it forces them to simulate the mind of the sovereign. The tortured criminal’s body is a direct representation of the sovereign’s will. The tortured body gives the crowd evidence of the monarch’s thought, it allows them to simulate the thoughts that have led to the punishment of the tortured body. This is what Foucault means when he says that torture is "a policy of terror: to make everyone aware, through the body of the criminal, of the unrestrained presence of the sovereign. The public execution did not re-establish justice; it reactivated power" (49). It reactivated power in the sense that it forced individuals in the audience to simulate the thoughts of the sovereign which were directly responsible for the violence of torture. Torture, therefore, enables simulation of multiple forms of thought: it allows the crowd to simulate the criminal’s thoughts that led to the scaffold, it allows them to simulate the pain that the criminal is experiencing because of his actions, and it allows them to simulate the revengeful thoughts of the sovereign that have enacted the torture of the criminal.
Of what use is this observation and simulation of torture? Why does observing and mentally simulating the criminal’s pain cause power to function? Why does the simulation of the sovereign’s will cause power to work in he minds of the crowd? Well, my answer is that it forces the internalization of certain perspectives. So it is not just that power functions in those moments of observation. But that it has long lasting effects. It forces the perspectives of the tortured man and the sovereign to be burned into the minds of the crowd. Because they internalize these perspectives on an unconscious level, therefore, when they leave the scene of the torture, power is stable able to function in the crowd’s minds.
I actually wrote a post on the simulation and internalization of perspectives a bit ago. I actually wrote about it in relation to the idea of god. So I am familiar with and fond of this idea. But I believe that Foucault also hints at this internalization of outside perspectives. He comments that "if severe penalties are required, it is because their example must be deeply inscribed in the hearts of men" (49). To inscribe something into minds, it must involve a firm internalization. Torture must force power to take hold at the deepest parts of the mind. People must learn to regulate themselves by internalizing the perspective of the tortured criminal and the vengeful king. Again, I believe Foucault is heading in this direction of simulation: "The aim was to make an example, not only by making people aware that the slightest offence was likely to be punished, but by arousing feelings of terror by the spectacle of power letting its anger fall upon the guilty person.... Not only must people know, they must see with their own eyes. Because they must be made to be afraid; but also because they must be the witnesses, the guarantors, of the punishment, and because they must to a certain extent take part in it" (58). How does the crowd take part? I believe they take part by simulating the perspectives that are directly engaged in the process of torture. Indeed, Foucault believes that it involves a form of empathy, perhaps an extended form of empathy, which I call simulation. This is why he argues that "the people never felt closer to those who paid the penalty than in those rituals intended to show the horror of the crime and the invincibility of power; never did the people feel more threatened, like them, by a legal violence exercised without moderation or restraint" (63). Power, therefore, functions by forcing individuals to simulate and internalize the perspective of the tortured criminal and the perspective of the sovereign and his law.
So let me summarize how it is that torture involves simulational mindreading. Torture is by its very nature public and spectacular. It is intended to force individuals to watch the suffering of a criminal, it is meant to make them feel the experience and pain of the criminal. Further, the simulative nature of torture is exacerbated by attempts to recreate, or reenact as Foucault says, the experience of the crime. Not only is the experience of the criminal simulated, but the thoughts and the will of the king must be simulated. Thus people are aware both of the criminals pain and the sovereign’s will that demands the torture. Moreover, the simulation of these two perspectives has to function by the internalization of these perspectives. Meaning that the crowd does not simply observe and then forget the spectacle of torture. But that they carry these simulated perspectives deep in their mind for time to come. And finally, it is this simulation and internalization of perspectives that allows power to function well after the spectacle of torture has ended.

From here I am going to explore how the role of observation and simulation aspect in the functioning of power changes with the advent of disciplinary society.

Observation and Simulational Mindreading in Disciplinary Society: The Inescapable Panopticon

So, the questions for this section are: how is it that observation, which reaches new levels of intensity in disciplinary society, begin to enforce power without recourse to violence? Now that individuals are no longer observing violent torture, how does this new form of observation, force people to behave in certain ways?

Well, the answer has to do with several things. First, it has to do with the rise of elaborate forms of disciplinary knowledge, which I explained in chapters one and two. Second, it has to do with the gaze of individuals who wield that authoritative knowledge. Third, it has to do with the individuals who are being observed and know they are being observed. Basically, when subjects are being watched by a class who possess authoritative knowledge, these subjects are forced to simulate a judgmental gaze. The subjects, the patients, the prisoners, the students, are all being forced to work on themselves because they are the ones that have to internally simulate the authoritative gaze of their superiors.

This idea of constant supervision is best captured through Foucault’s emphasis on the panopticon. Originally the panopticon was simply an architectural design, but it is actually a way of conceptualizing society as a whole. All of our disciplinary institutions are moving in the direction of panopticism. They all involve constant observation that is structured, judgmental, and most importantly, are self-regulating in that they allow people’s simulation of the authoritative gaze to control themselves.

The tools of disciplinary power, therefore, are largely the same as those of torture. Individuals are still made to obey the rules of power through observation and simulation. But the quality of simulation has changed. The observers are now armed with an elaborate set of conceptual tools, and the subjects being watched are aware that they are being watched by these hyper critical figures, and in fact, are being examined and judged by these knowledgeable figures. "The success of disciplinary power,” Foucault believes, “derives no doubt from the use of simple instruments: hierarchical observation, normalizing judgment and their combination in a procedure that is specific to it, the examination" (170). Disciplinary society is "a mechanism that coerces by means of observation; an apparatus in which that techniques that make it possible to see induce effects of power, and in which, conversely, the means of coercion make those on whom they are applied clearly visible" (170-71). Observability, and knowledge of observability, can only be crucial if we understand the minds of those being watched. For, as Foucault says, it is the subjects who force power to work on themselves. It must be something in their own mind, therefore, that truly makes the authoritative gaze work on them. I believe that simulation theory of mind provides the answer. I believe that it is the process of simulating the authoritative gaze that causes subjects to be ruled by disciplinary power.

Disciplinary power thus functions at the lowest levels of society. It permeates the minds of every individual that interacts with disciplinary power and its elaborate forms of knowledge about bodies. In fact, as I discussed in chapters one and two, this is an extremely general phenomenon that is not restricted to prisons. Many disciplinary institutions also force subjects to simulate and internalize an authoritative gaze. Foucault, therefore, argues that disciplinary power, “in its mechanisms and its effects,... is situated at quite a different level. What the apparatuses and institutions operate is, in a sense, a micro-physics of power, whose field of validity is situated in a sense between these great functionings and the bodies themselves with their materiality and their forces." (26). It is at these lowest levels of the individual mind that disciplinary penetrates. Again, only a theory of mind could account for these effects on individual minds. And I believe that only simulation could account for such powerful effects being brought about only by hierarchical observation.

This power of the gaze and the gaze’s simulation is explained by the notion of panopticism. Foucault believes that panopticism "implies an uninterrupted, constant coercion, supervising the processes of the activity rather than its result and it is exercised according to a codification that partitions as closely as possible time, space, movement" (137). The panopticon, therefore, facilitates both the construction of elaborate knowledge and, more importantly, it forces individuals to imagine and simulate a perspective that is constantly judging them. Again, the prisons serve to demonstrate the major characteristics of disciplinary society as a whole. Foucault believes that “at the heart of the debate, and making it possible, was this primary objective of carceral action: coercive individualization, by the termination of any relation that is not supervised by authority, or arranged according to hierarchy" (239). Panopticism as a whole is about making individuals feel like they are being constantly watched by an authoritative and judgmental gaze. They are thus forced to simulate this gaze, and thus are able to exercise power over themselves.

Foucault even describes panopticism as working at this general level, as permeating all of society while hardly being noticed. "And, although it is true that its pyramidal organization gives it a head; it is the apparatus as a whole the produces 'power' and and distributes individuals in this permanent and continuous field. This enables the disciplinary power to be both absolutely indiscreet, since it is everywhere and always alert, since by its very principle it leaves no zone of shade and constantly supervises the very individuals who are entrusted with the task of supervising; and absolutely 'discreet' for it functions permanently and largely in silence." People everywhere, in all facets of life, engaging with any disciplinary institution, are therefore meant to judge themselves by simulating an authoritative gaze.

To corroborate the relationship between military institutions and the rise of simulative disciplinary power, I want to provide an example of the genesis of these disciplinary models of observation. These simulative panopticons even come from army: "These 'observatories' had an almost ideal model: he military camp – the short lived, artificial city, built and reshaped almost at will; the seat of power that must be all the stronger, but all all the more discreet, all the more effective and on the alert in that it is exercise over armed men. In the perfect camp, all power would be exercised solely through exact observation; each gaze would form a part of the overall functioning of power. The old, traditional square plan was considerably refined in innumerable new projects. The geometry of the paths, the number and distribution of the tents, the orientation of their entrances, the disposition of files and ranks were exactly defined; the network of gazes that supervised on another was laid down.... The camp is the diagram of power that acts by means of general visibility" (171). Military institutions, therefore, provided the general model for panopticism. It was perhaps the first institution in which people were observed constantly and in which an elaborate body of knowledge was constructed. In the military, therefore, society first developed this capacity of coercion that comes from manipulating the mind. In the military we see people for the first time being judged by hierarchical observation.

And I think that this may have something to do with the decline of religion. Benedict Anderson writes about the decline of religious institutions and the rise of national institutions. Interestingly, in prisons the words: "God sees you" (294), were often inscribed on walls. God, however, is no longer the constant source of observation. The panopticon is now the source of constant observation.

Now let me wrap up the relationship between disciplinary power and simulation. Disciplinary power functions by constructing elaborate forms of knowledge through constant observation. More importantly, it works by informing subjects of the fact that they are being constantly observed by this authoritative power. Individuals, therefore, must use this knowledge of their own observability on themselves. Violence no longer directly coerces individuals. But individuals are made to coerce themselves through their knowledge of their own observability. It is, therefore, the subject’s simulation and internalization of the disciplinary perspective that truly makes power to function. In the absence of direct and violent coercion, individuals must work on themselves, they must actualize power within their own minds. Simulation theory of mind provides the only adequate explanation I can think of force this high level of self-regulation in disciplinary society.

Concluding Chapter III
So I feel like I have done an alright job of explaining how simulation theory of mind can help us understand the functioning of power in both torture and discipline. I opened up by explaining how Foucault’s definition of power as strictly relational requires us to grapple with the question of minds. If power functions through relationships, and relationships function primarily through the interaction of minds, then power can only function by changing the way that minds relate to other minds. An adequate theory of mind, therefore, is the only thing that can truly help us understand the functioning of power. I then introduced the notion of simulation theory of mind and tried to explain how it could potentially facilitate relations of power. In particular, I discussed how subjects would be able to make power function within themselves by simulating the perspectives of authoritative figures. I then proposed that torture and discipline would almost certainly involve different forms of simulational mindreading. I argued that torture would involve the direct simulation of the criminal’s experience leading to the torture and his experience of pain, and would also enable the simulation of the king’s vengeful thoughts, both of which would prevent further crime by forcing individuals to internalize those perspectives long after the torture ended. I then explored how discipline would enable a different form of simulational mindreading that used the same tools of observation and simulation. In particular, discipline, and its use of panopticism, would enable a more constant observability. Subjects, therefore, would be forced to constantly simulate an authoritative gaze that could be watching them. Whether it is a doctor, a lawyer, a policeman, or a prison guard, our society provides us with a plethora of authoritative gazes that we can simulate to keep ourselves in line. Disciplinary society, therefore, enables forms of simulation and internalization that allow a much greater degree of self-regulation. In short, because Foucault describes power as working at the level of minds, I believe that only simulation theory of mind provides an adequate explanation of how power would function. His emphasis on relationships of observation and judgment make it easy for me to conclude that power functions primarily by simulating and internalizing authoritative perspectives, which enables, especially in the age of panopticism, a high degree of self-regulation. Torture and discipline differ, therefore, in that discipline provides evidence that allows individuals to constantly simulate an authoritative gaze, and thus constantly regulate themselves.

Thursday, August 5, 2010

Can't Stop Won't Stop Don't Want To Stop

It is curious how I feel right now. I feel like I have been doing a lot of writing the last couple days. It is the most interesting thing because I have been so wrapped up and distracted by so many real life endeavors. I had to move out of a house. Do a ton of cleaning to get it ready. Contact lots of bill companies to finalize accounts. Go visit my parents at their new house in Farmville. I had to pack all my things and slim down to everything that I could fit in my pack, my backpack, and my briefcase. I was definitely afraid that my real life problems would quickly override my more abstract academic writing.

But fortunately I have been able to continue writing a fair amount. It has been nice. A real pleasure. Lots of fun for me to just keep going keep stabbing keep running.

Even if I think this writing isn't good enough or it is too sloppy or it is too incomplete I feel really good about it. I really hope that when I get out West I can manage to find a job and an apartment and can support myself. Because if I could support myself then I could take so many steps to do so many different things.

If I could manage to live and feed myself and do what I wanted that would be great. It is just always fascinating to think about priorities.

Writing and living. Not sure what is what and what to do. But it is fun and odd to think that I am leaving the state and probably won't be back as a resident again. Tonight I had dinner with my sister and her friend and he asked me if I'd be back. And I didn't really know how to answer. I sorta tap danced and said a few things about well maybe this or that or something. Then my sister said something like 'you won't be back'. And it is probably true. I probably won't be back.

I don't quite understand how I feel about this state. Or why I feel like I want to leave it. I'm not sure where I feel like I belong or where I want to be. I want to explore. I want to find new experiences.

One of the major things is the contrast between my writing and my experiences. I really like to think about experience. Writing about experience is so paradoxical though.

Words cook life. Experience is raw. Experience is wordless. Experience cannot be articulated. Words remove the rawness from life. Words cook life. So is it okay that I go out and I have raw experiences then I cook them? Is it okay to talk about rawness?

I mean at the same time though words can be so raw. Words can just come out and just happen.

I'm in a huff about the relationship between my living and my writing.

I'm ready to live an exciting and dynamic sort of life. I want to do all kinds of different things. I want to meet lots of people and have lots of experiences. But I also want to keep writing. So I feel like when I get out West I need to take care of my business. I need to find a job and an apartment. I need to learn to be healthy and frugal.

And I suppose the most difficult thing in all of this, all of this future hypothetical planning, is to imagine how my moving and adapting to new circumstances will affect my writing. I bet that I will find time to write. I won't stop. And even if I have to taper off, chill out a little bit with my writing, I'll still be able to write. I'll still be able to read.

I don't need to worry. Everything will be fine. I have confidence that I will do what I need to do. And it doesn't matter that I don't know how to do it yet.

Inadequate Writing

I fear these big posts that I am writing on Discipline & Punish, which I'm calling the 'Society's Implicit War' series, are too quotation heavy. That I am just thematically linking quotations and giving insufficient analysis. Also, I wanted to destroy some synchronistic numbers with this post. I plan on writing a post about synchronistic numbers called 'Searching for Messages from the Universe in my Dashboard'.

LOL

About Me

I spend most of my time working as a mental health professional. I have been preoccupied with philosophy, politics, healing, and many other questions for the last 15 years or so. I am currently working on putting together my study of Plato and Aristotle with contemporary work in philosophy, psychology, psychotherapy, and trauma research. I use this place primarily as a workshop for ideas. I welcome conversation with anyone working on similar problems. The major contours of my basic project have been outlined here

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